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Abbott, Carl
Aitken, Robert
1978 A Zen Wave, New York: John Weatherhill
1982 Taking the Path of Zen, San Francisco: North Point Press
1984 The Mind of Clover, San Francisco: North Point Press
1990 The Gateless Barrier, San Francisco: North Point Press
Ando, Yoshinori
1983a "Development of the method for designing a shakuhachi of any desired pitch temperment, (In Japanese), Report of the Study aided by 1981-1982 Grants-in Aid for Scientific Research of Ministry of Education
1983b "On shakuhachi bores and their resonance frequencies", The 11th I.C.A. 9:1-4
1986 "Imput admittance of shakuhachis and their resonance characteristics in the playing state", J. Acoust. Soc. Jpn. 7, 2:99-111
Ando, Yoshinori and Ohyagi Yasushi
1984 "The embourchure correction of shakuhachi" (In Japanese), Rep. Autumn Meet. J. Acoust. Soc. Jpn. 2:3-3
1985 "Measuring and calculating methods of shakuhachi imput admittance", J. Acoust. Soc. Jpn. 6, 2:89-101
Aoki, Reibo 青木鈴慕
Apel, Willi and Daniel, Ralph, ed.
Araki, Tatsuya
Austin, Robert and Ueda, Koichiro
Barwick, Linda
1988 "Theories of 'transmission' versus theories of 'performance': some implications for analytical practice", paper delivered 9 April, Oceania Study Group of International Council of Traditional Music, Deakin University
1991 "Partial records: The problematics of loss and change in historical ethnomusicology", Tradition and its future in music: report of SIMS 1990 Ôsaka, ed. Tokumaru, et al. Tôkyô: Mita Press
Berger, Donald Paul
1969 "The Shakuhachi and Kinko Ryu Notation", Asian Music 1(2):32-69
1986 "Record review of Japanese Music for Two Shakuhachi" Lyrichord LLST 7386, Asian Music (Fall/Winter) 18(1):212-213
Blasdel, Christopher Yohmei
1981 Shakuhachi o kangaeru: dionusosus teki oyobi aporon teki no hyôgen ni tsuite 尺八を考える、デイオニュソス的およびアポロン的な表現について, Thoughts on the shakuhachi: concerning Dionysian and Apollonian expression, Unpublished M.A. Thesis (Tôkyô University of Fine Arts)
1984a "The Shakuhachi: Aesthetics fo a Single Tone", Japan Quarterly 31(2):214-217
1984b "Hôki kara gakki e no shakuhachi" 法器から楽器への尺八 (The shakuhachi from sritual tool to musical instrument), Kikan hôgaku 38:78-79
1988 The Shakuhachi; a manual for learning, Tokyo: Ongaku no Tomo Sha Corp British Shakuhachi Society Yearbook
1984 Compilation of newsletters 1983-1984, London: British Shakuhachi Society
Burnett, Henry ed.
Butler, Kenneth Dean
1966a "The textual evolution of the Heike monogatari", Harvard Journal of Asiatic Studies 26:5-51
1966b "The Heike monogatari and theories of oral epic literature", Bulletin of the Faculty of Letters, Seikei University, 2:37-54
1969 "The Heike monogatari and the Japanese warrior ethic", Harvard Journal of Asiatic Studies 29:93-108 Chikuho ryû no tebiki 竹保流の手引
1971 Chikuho ryu shakuhachi beginners' manual, Osaka: Chikuho ryû Head Office Chikuho ryû shakuhachi gaku hô 竹保流尺八楽報
1929-1985 Chikuho ryû Shakuhachi Newsletter, Vol. 1-103, Osaka: Chikuho ryû Head Office
Chikushin kai 竹心会
Chute, James
1979 "East meets West", Review of lecture/recital by Watazumi dô, The Cincinnati Post. Wednesday, 24 October 1979, p.19
Clifford, James
1986 "On Ethnographic Allegory", 98-121, In Writing Culture, Berkeley: University of California Press
Clifford, James and George E. Marcus, ed.
Clunies Ross, Margaret
Clunies Ross, Margaret and S. Wild
Crapanzano, Vincent
1986 "Hermes' Dilemma:The Masking of Subversion in Ethnographic Description", 51-76, In Writing Culture, Berkeley: University of California Press
Cutter, Paul F.
1976 "Oral transmission of the Old-Roman reponsories?" The Music Quarterly, 62(2):182-94
Darbellay, Etienne
1986 "Traditions and notations in baroque music", The oral and literate in music, ed. Tokumaru & Yamaguti: 57-68, Tôkyô: Academia Music Ltd
Deaver, Tom
Dore, R.P.
Dowman, Keith
Emmert, Richard
1977 "The Japanese Shakuhachi and Some Comparisons with Several Vertical Flutes of Southeast Asia", In Asian Musics in an Asian Perspective, Report of ATRPA 1976, ed. Koizumi et al, Tôkyô: The Japan Foundation
Fritsch, Ingrid
1978 Die Solo-honkyoku der Tozan-schule. Musik fur shakuhachi zwischen Tradition und Moderne Japans, (Solo honkyoku of the Tozan School. Music for shakuhachi and the conflicting claims of tradition and modernity in Japan), Ph.D. Thesis (University of Cologne)
1979 Die Solo-Honkyoku der Tozan-schule. Kassel: Barenreiter.
1983 "A comparison of Tozanryu and Kinkoryu shakuhachi arrangements for sankyoku gasso made from identical originals, Yearbook for Traditional Music 15:14-30
1984 Book review of Gutzwiller's Die Shakuahchi Der Kinko-schule, The World of Music 26(2):106-108
1985 Record review of Der wahre Geist der Leere by Andreas Fuyû Gutzwiller Jencklin-Disco 588, The World of Music 27(1):98-99
1990 "The sociological significance of historically unreliable documents in the case of Japanese musical guilds", Tradition and its future in music; Report of SIMS 1990 Ôsaka, Tôkyô: Mita Press
Fujita Rêrô 藤田鈴朗
Fukushima Kazuo 福島和夫 and Hirano Kenji 平野健次 ed.
1978 Nihon ongaku; kayô shiryô shû [gakufu shoshû hen] 日本音楽、歌謡資料集、 楽譜書集篇 (Japanese music; sources of kayô [a collection of notations]), compiled for the Research Archives for Japanese Music at the Ueno-Gakuen College, Tôkyô: Bensei
Grous, Robert
(n.d.) Introductory Manual For Kinko Honkyoku, In The Annals of The International Shakuhachi Society, 47-100, Sussex: International Shakuhachi Society
Guralnik, David B. ed.
Gutzwiller, Andreas B.
1974 Shakuhachi; Aspects of History, Practice and Teaching, Ph.D. Thesis (Wesleyan University)
1983 Die Shakuhachi der Kinko-Schole, Basel: Barenreiter Kassel
1983 Record review of Bamboo Textures: Works for Shakuhachi by John Kaizan Neptune (Toshiba Records, TP-723232, 1979), The World of Music 25(2):80-81
1984 "The Shakuhachi of the Fuke-Sect: Instrument of Zen"), The World of Music 26(3):53-65
Gutzwiller, Andreas and Bennett, Gerald
Halfpenny, Peter
Hanada Nobuhisa 花田伸久
Havelock, Eric
Harich-Schneider, Eta
Hayashi Kenzô 林謙三
Herr, Robert, ed.
Hirano Kenji 平野健次, ed.
Hirano Kenji 平野健次 et al. ed.
Hoshi Akira 星旭
Houston, Jean
1990 Radio interview on "Search for Meaning", Australian Broadcasting Corporation, Radio National, May 9
Howard, Gregg
1991 "Musico-religious implications of some Buddhist views of sound and music in the Sûrangama Sûtra", Musica Asiatica 6, 95-102, Cambridge: University of Cambridge Press
1992a "On the 'Religious' in Music: Zen and the Shakuhachi", Sound and Reason: Music and Essays in Honour of Gordon D. Spearritt, ed. Warren A. Bebbington and Royston Gustavson, 29-37, Brisbane: Faculty fo Music, University of Queensland, 1992
1992b "Art and Music in the Zen Tradition: Some Analogies", paper delivered at the Asian Studies Association of Australia National Conference, Armidale, University of New England, 6-9 July 1992
Ide, Yukio 井出幸男
Imaeda Aishin 今枝愛真
Inagaki Ihaku 稲垣衣白, ed.
Inagaki Ihaku 稲垣衣白, ed.
Inagaki Ihaku 稲垣衣白, ed.
Inagaki Ihaku 稲垣衣白, Izui Seizan 出井静山, and Takahashi Ryochiku 高橋呂竹, ed.
1977 Katsuura Shôzan ifu 勝浦正山遺譜 (Collection of Katsuura Shôzan's notation),Tôkyô: Katsuura Masatoshi
1981 Myôan sanjûnana sei Tanikita Muchiku shû, taizanfu shûi 明暗三十七世谷北無竹集、對山譜拾遺 (The Myôan thirty-seventh [patriarch], Tanikita Muchiku collection: gleanings from Taizan scores), Kyôto: Tanikita Renzô
Inoue, Shôkei
n.d. "The History of the Kimpu Shakuhachi School (Kimpu-Ryu), The Annals of The International Shakuhachi Society, ed. Dan E. Mayers, 192:195
1989 Personal communication at Inoue's home in Tôkyô, November 8
Ishibashi Gudô 石橋愚道,and Kanda Shun'ichi 神田俊一, ed.
Ishitaka Kinfû 石高琴風
Iwai Seihô 岩井省法, ed.
1983 Komusô shiryô shûhôzan kôkokuji myôanji kankei bunshû (虚無僧史料驚峰山興国寺明暗寺関係文集, (Komusô historical documents; collected works concerning the Myôan temple of the Shûhôzan Kôkoku temple), Vol. 1 of 12 volumes, Facsimiles of records held by the temple of Kôkokuji, Osaka
Iwamoto Yoshikazu 岩本良和
1975 "Furin" 風林 (Wind Forest), performance on radio broadcast, NHK (Japan National Radio), 17 November
Izutsu Toshihiko
Jin Nyodô 神如道
Kamada Shiryô 鎌田嗣良
1983 "Nanbu han Fuke shû komusô shi: hanamaki chikurinzan shôganken kô (1)", 南部藩普化宗虚無僧史、花巻竹林山松 岩軒考 (一) (A history of Fuke shû komusô in Nanbu: observations on the sub-temple Shôganken at Chikurin zan, Hanamaki [1]), In Hanamaki shi bunkazai chôsa hôkokusho 花巻市文化財調査報告書 (Reports of the investigation of Hanamaki City's cultural assets) 7:83-101, Hanamaki City: Board of Education.
Kamisango Yûkô 上参郷祐康
1971 “Shakuhachi no rekishi" 尺八の歴史 (A history of shakuhachi), In Hôgaku taikei; sôkyoku, shakuhachi 邦 楽大系 箏曲·尺八(二)(An anthology of Japanese music; sôkyoku, shakuhachi [2]), Kishibe, Shigeo 岸辺 成雄 ed. Tôkyô: Chikuma Shobô 4:7-16
1974 "Shakuhachi gaku ryakushi: suizen no rikai no tame ni" 尺八楽略史、吹禅の理解の ために (An Abbreviated history of the shakuhachi instrument; towards an understanding of blowing Zen), In descriptive notes from Suizen: Chikuho ryû ni miru fuke shakuhachi no keifu 吹禅 - 竹保流にみる普化尺八の系譜 (Blowing Zen: the fuke shakuhachi lineage in the Chikuho ryû) LP recording KX 7001-3: 9-22, Tôkyô: Nippon Columbia
1976 "Sankyoku gassô ni okeru shakuhachi no yakuwari" 三 曲合奏における尺八の役割 (The role of the shakuhachi in the sankyoku ensemble), In Kikkawa Festschrift 54-98
1977 "Kinko ryû no shiso" 琴古流の始祖 (The Founder of Kinko Ryû), Kikan hôgaku 10:12-16
1980 "Koten honkyoku no rekishiteki haikei" 古典本曲の歴 史的背景 (Historical background on the classical honkyoku), In descriptive notes from LP recording GM 6005-10, 85-103, Tôkyô: Teichiku Records
1988 "Nakatsuka Chikuzen ikô no shutsugen" 中塚竹禅遺稿 の出現 (The appearance of posthumous manuscripts of Nakatsuka Chikuzen), Kikan Hôgaku 57 (Winter):40-43
Kamisangô Yûkô 上参郷祐康 and Tukitani Tuneko 月溪恒子
1980 "Jin Nyodô no ongaku keifu: jishin no kijutsu ni yoru" 神如道の音楽系譜、自身の記述による (Musical genealogy of Jin Nyodô: on the basis of his own descriptions), In descriptive notes from LP recording GM 6005-10, 37-58, Tôkyô: Teichiku Records
1982 "Shakuhachi" 尺八, in Ongaku daijiten, Vol.3, 1052-1063, Tôkyô: Hebon sha
Kawase Junsuke 川瀬順輔
1983 "Shakuhachi o fuku ni saishite" 尺八を吹くに際して (When playing the shakuhachi), In "Meikyoku no sôgô kenkyû VII 'Kajimakura'" 名曲の総合研究 VII 楫枕, (Cooperative research into famous pieces VII, "Kajimakura"), Kikkan hôgaku, 58:27-33
Keeling, Richard
Kikkawa Eishi 吉川英史
Kikkawa Eishi, ed.
Kikkawa Eishi 吉川英史 et al. ed.
1980 Nihon koten ongaku taikei [3. sôkyoku, jiuta, shakuhachi] 日本古典音楽大系 [3.箏曲、地歌、尺八] (An anthology of Japanese classical music), Tôkyô: Kôdan sha
Kim, Hee-Jin
1975 Dogen Kigen - Mystical Realist, Tucson, Arizona: University of Arizona Press
1985 "'The Reason of Words and Letters': Dôgen and Kôan Language", Dôgen Studies, ed. William R. LaFleur, 55-81, Honolulu: University of Hawaii Press
Kishibe Shigeo 岸辺成雄
1969 The Traditional Music of Japan, Japanese Life and Culture, Tôkyô: Japan Cultural Society
1971 Traditional Japanese Music, NHK Transcription 69, Tôkyô: Japan Broadcasting Corporation
1984 The Traditional Music of Japan, Tôkyô: Ongaku no tomo sha
Kitahara Seizan 北原篁山
1983 "'Kotoku no kyoku' no shakuhachi o fuku ni saishite" 小督の曲の尺八を吹くに際して (When playing the shakuhachi in the piece "Kotoku"), In "Meikyoku no sôgô kenkyû VI 'Kotoku no kyoku'" 名曲の 総合研究 VI 小督の曲, (Cooperative research into famous pieces VI, "Kotoku piece"), Kikkan hôgaku, 36:25-37
Koga, Masayuki
Koizumi Fumio 小泉文夫
1977 "Musical Scales in Japanese Music", in Asian Music in an Asian Perspective, ed. Koizumi, Tokyo: Heibon sha
1982 "Nihon ongaku no onkai to senpô" 日本音楽の音階と旋 法 (Japanese music scales and modes), in Nihon no onkai 日本の音階 (Japanese scales), ed. Tôyô ongaku gakkai 東洋音楽学会 (The Society of Research in Asian Music), Tôkyo: Ongaku no tomo sha
1989 "Onkai" 音階 (Scales), in Nihon ongaku daijiten, 142-144.
Komusô kenkyû kai 虚無僧研究会
Kosuge Daitetsu 小菅大徹
Kudo, Takeo
1977 The Kinko Shakuhachi: One Master's Approach, Unpublished M.A. thesis (University of Hawaii)
1984 Oral communication, Honolulu
Kurihara Kôta 栗原廣太